
https://parodyproject.com/something-new ... ossa-nova/
That has more to do with the way the instruments are played instead of the character of the instrument. A Wurlitzer can be played as a traditional concert organ by turning the tremulants off and staying away from the "tricks and traps" section. I heard that done quite a while ago when my late ex- and I attended the commissioning ceremony of the Wurlitzer at the Hanover Theatre in Worcester. The organist started out -- to most everyone's surprise -- with a dazzling and straight rendition of Bach's awesome Toccata and Fugue, and the instrument seemed to love it. But then he stopped and mentioned to the audience that "That's not how these instruments are played.", and then the rest of the ceremony was straight theatre-organ style with the great beast sounding precisely like -- a Wurlitzer.
On average, a theatre-organist will play like a theatre-organist and a concert organist will play like a concert organist -- irrespective of instrument. A goodly amount of the visceral enjoyment we get from music isn't necessarily the instruments involved, it's the human factors. Technology helps, to be sure, but ultimately it's how the humans arrange things.Uncle Al wrote: ↑Thu Oct 15, 2020 5:00 pmWe've had several different artists play the [restored] instrument. Each artist brought unique sounds from the same 18 ranks of pipes, thus making it sound like a different instrument each time.
That's the versatility of the instrument and how the artist blends each voice into his/her playing.
My reaction: "Oooh! Look at all the moving parts!"( Hey - It's fun to play, too)