Skirt Cafe is an on-line community dedicated to exploring, promoting and advocating skirts and kilts as a fashion choice for men, formerly known as men in skirts. We do this in the context of men's fashion freedom --- an expansion of choices beyond those commonly available for men to include kilts, skirts and other garments. We recognize a diversity of styles our members feel comfortable wearing, and do not exclude any potential choices. Continuing dialog on gender is encouraged in the context of fashion freedom for men. See here for more details.
Kilted Organist/Musician
Grand Musician of the Grand Lodge, I.O.O.F. of Texas 2008-2025
When asked 'Why the Kilt?'
I respond-The why is F.T.H.O.I. (For The H--- Of It)
Kilted Organist/Musician
Grand Musician of the Grand Lodge, I.O.O.F. of Texas 2008-2025
When asked 'Why the Kilt?'
I respond-The why is F.T.H.O.I. (For The H--- Of It)
Takes quite a bit of training and practice to play a song correctly,
then turn around a play it "Off-Key" on purpose.
Funny
Uncle Al
Kilted Organist/Musician
Grand Musician of the Grand Lodge, I.O.O.F. of Texas 2008-2025
When asked 'Why the Kilt?'
I respond-The why is F.T.H.O.I. (For The H--- Of It)
Legend has it that his off-key playing came about by accident when he was dying in front of a difficult audience and he started the off-key playing in desperation and the audience laughed. I am not a keyboard player and have been told that after years of playing properly deliberately playing "the right notes in the wrong order" is not easy. Very, gifted comedian and a member of a great class of comedians ( along with Ken Dodd, Tommy Cooper and many others ) and apparently a nice guy too. Still, he was subject to the self-doubts and depressions of his performance group.
I believe in offering every assistance short of actual help but then mainly just want to be left to be myself in all my difference and uniqueness.
Another great comedic pianist was Victor Borge.
He had multitudes of people laughing, to the point of crying, with
his antics at the piano.
Then he had his serious side.
Enjoy
Uncle Al
Kilted Organist/Musician
Grand Musician of the Grand Lodge, I.O.O.F. of Texas 2008-2025
When asked 'Why the Kilt?'
I respond-The why is F.T.H.O.I. (For The H--- Of It)
I remember Victor Borge from when I was a little person! I remember finding him really funny as well, I vaguely remember his musical punctuation.
Now I have watched those clips, he really was a talent, funny and also a beautiful version on Clair De Lune. (A piece of music I had forgotten about, it was a favourite of my Mothers.)
I am the God of Hellfire! and I bring you truffles!
I too adore the piano legacy left by Victor Borge. It was certainly worth sitting through his Tom-foolery to (eventually) hear him actually play!
His interpretation of Claire-de-Lune is particularly lovely and the subtle backing of the strings adds considerably to the listening pleasure.
I grapple with Claude (Debussy) as one of my 'mentors' on the keyboard. As I trained myself in my early years to deliver medleys as live background music in a restaurant, one Debussy sequence which fitted was (and still is) Claire de Lune, followed by 'the girl with the flaxen hair', followed by 'Arabesque Nr.1'. The two former are in D flat, which is also C sharp, the very first note of the Arabesque in E major, so these three flow into each other without having to play chords for key changes in between. As it happens I have the music to all three on my piano music stand right now, as I have been brushing them up for an event shortly.
To my delight only quite recently I unearthed a vinyl of Victor & his phonetic punctuation &c., and found that the last track on that LP is his interpretation of Leopold Godofski's arrangement of Albeniz's 'Tango'. I had spent some time memorising that delightful Spanish piece, having tracked the music for it down in Heilbronn in Germany. Borge just adds a repeat of the last verse with a delicious finishing flourish which I have taken on board and works well.